English Question

Like we saw in Sherman Alexie’s essay “Superman and Me” and Langston Hughes’ “Salvation,” personal narratives can make arguments about larger topics and issues while teaching readers about the author. In the following assignment, you will be asked to think about your own lived experiences and find a story to tell that exemplifies your strengths and/or your values. For this essay you will write a personal narrative that describes the moment (or moments) when you realized what drives you personally, professionally, or academically. You might describe a time when you recognized a passion you have that exceeds everyday interest. You might recall a time when you came to an understanding or truth about life that now defines your personality. Or, you might recount when you realized you have a skill or mastery of something that others don’t posses. Show, don’t tell, your audience, and use the techniques we discussed in class to relay your story to your audience. 1. Salvation: I was saved from sin when I was going on thirteen. But not really saved. It happened like this. There was a big revival at my Auntie Reed’s church. Every night for weeks there had been much preaching, singing, praying, and shouting, and some very hardened sinners had been brought to Christ, and the membership of the church had grown by leaps and bounds. Then just before the revival ended, they held a special meeting for children, “to bring the young lambs to the fold.” My aunt spoke of it for days ahead. That night I was escorted to the front row and placed on the mourners’ bench with all the other young sinners, who had not yet been brought to Jesus. My aunt told me that when you were saved you saw a light, and something happened to you inside! And Jesus came into your life! And God was with you from then on! She said you could see and hear and feel Jesus in your soul. I believed her. I had heard a great many old people say the same thing and it seemed to me they ought to know. So I sat there calmly in the hot, crowded church, waiting for Jesus to come to me. The preacher preached a wonderful rhythmical sermon, all moans and shouts and lonely cries and dire pictures of hell, and then he sang a song about the ninety and nine safe in the fold, but one little lamb was left out in the cold. Then he said: “Won’t you come? Won’t you come to Jesus? Young lambs, won’t you come?” And he held out his arms to all us young sinners there on the mourners’ bench. And the little girls cried. And some of them jumped up and went to Jesus right away. But most of us just sat there. A great many old people came and knelt around us and prayed, old women with jet-­‐black faces and braided hair, old men with work-­‐gnarled hands. And the church sang a song about the lower lights are burning, some poor sinners to be saved. And the whole building rocked with prayer and song. Still I kept waiting to see Jesus. Finally all the young people had gone to the altar and were saved, but one boy and me. He was a rounder’s son named Westley. Westley and I were surrounded by sisters and deacons praying. It was very hot in the church, and getting late now. Finally Westley said to me in a whisper: “God damn! I’m tired o’ sitting here. Let’s get up and be saved.” So he got up and was saved. Then I was left all alone on the mourners’ bench. My aunt came and knelt at my knees and cried, while prayers and song swirled all around me in the little church. The whole congregation prayed for me alone, in a mighty wail of moans and voices. And I kept waiting serenely for Jesus, waiting, waiting -­‐ but he didn’t come. I wanted to see him, but nothing happened to me. Nothing! I wanted something to happen to me, but nothing happened. I heard the songs and the minister saying: “Why don’t you come? My dear child, why don’t you come to Jesus? Jesus is waiting for you. He wants you. Why don’t you come? Sister Reed, what is this child’s name?” “Langston,” my aunt sobbed. “Langston, why don’t you come? Why don’t you come and be saved? Oh, Lamb of God! Why don’t you come?” Now it was really getting late. I began to be ashamed of myself, holding everything up so long. I began to wonder what God thought about Westley, who certainly hadn’t seen Jesus either, but who was now sitting proudly on the platform, swinging his knickerbockered legs and grinning down at me, surrounded by deacons and old women on their knees praying. God had not struck Westley dead for taking his name in vain or for lying in the temple. So I decided that maybe to save further trouble, I’d better lie, too, and say that Jesus had come, and get up and be saved. So I got up. Suddenly the whole room broke into a sea of shouting, as they saw me rise. Waves of rejoicing swept the place. Women leaped in the air. My aunt threw her arms around me. The minister took me by the hand and led me to the platform. When things quieted down, in a hushed silence, punctuated by a few ecstatic “Amens,” all the new young lambs were blessed in the name of God. Then joyous singing filled the room. That night, for the first time in my life but one for I was a big boy twelve years old -­‐ I cried. I cried, in bed alone, and couldn’t stop. I buried my head under the quilts, but my aunt heard me. She woke up and told my uncle I was crying because the Holy Ghost had come into my life, and because I had seen Jesus. But I was really crying because I couldn’t bear to tell her that I had lied, that I had deceived everybody in the church, that I hadn’t seen Jesus, and that now I didn’t believe there was a Jesus anymore, since he didn’t come to help me. 2. Superman and Me: PDF attached Outline: Hopefully you have a moment that you’ve chosen to discuss. It could be a time you overcame something, or a time you learned something about yourself. How are you going to tell that story to your audience? Look again Freytag’s pyramid and StructureofaPersonalNarrativeEssay.pdf. to get an idea of how you want to structure your story. What will you use as a hook, a thesis statement, and the supporting elements? Where will you give us sensory details and where will you give us internal thoughts. You can use the outline provided on the SBCC document to structure your own outline, or you can write your own version of an outline. It can be a bullet point list with random notes next to each point. It doesn’t have to be perfect. This is just a draft. Upload the file with your outline, or enter the text directly into the text box associated with this prompt. If you’re using a Google document, make sure to “Share” the document with everyone and give them commenting or editing access so they can make comments. Rough Draft: Expand on each of your sections to give the reader more details. Remember that they aren’t in your head, and they don’t know what the scene looks like. Likewise, they don’t know where or when things take place. Make sure to lead the reader through your story. Give them an idea of what it was like to be there. Final: Now that you’ve written an outline, created a rough draft, and revised that work with some help from classmates, you need to update your paper and create a final draft. Follow the prompt and make sure you’re fulfilling all the requirements. Format your paper using the MLA guidlines https://owl.purdue.edu/owl/research_and_citation/m… Requirements: 3-4 pages

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